Voltage Holdings, LLC v Doe #1 and Evidentiary Requirements in Copyright Infringement

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The Federal Court of Appeal recently released its decision in Voltage Holdings, LLC v Doe #1, in which the court affirmed the minimum evidentiary requirements to establish direct and authorizing copyright infringement and clarified the extent to which an adverse inference may be drawn in the context of online copyright infringement.

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Opposition and Cancellation Proceedings Shifting Into Higher Gear in Canada

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Until recently, opposition and administrative cancellation proceedings in Canada have been particularly lengthy. It was not uncommon to see decisions being issued in non-use cancellation proceedings before the Canadian Trademarks Opposition Board (TMOB) 3-4 years after their start. Similarly, in many cases decisions in opposition proceedings would issue 5-6 years after the end of the initial 2 month period to oppose. This is not because these types of proceedings are particularly cumbersome in Canada. Contrary to US oppositions there is no discovery in oppositions and administrative cancellation proceedings, only cross-examinations on affidavit are possible. The availability of very generous extensions of time and long delays to set a hearing or to render a decision on the basis of a written record explain most of these delays. This is changing rapidly.

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Architectural Designs: Are they Copyrightable?

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The concept of a piece of art that is architectural in nature or an artistically designed building being copyrightable might seem fairly self-explanatory, but what about the design plans for that architectural creation? Do the drawings created by an architect designing how a building will look ever attract its own separate copyright protection? Can those designs be used by someone else trying to create a similar looking building? Continue reading for a look at the ways in which architectural designs and plans are protected under the Canadian Copyright Act and Canadian caselaw.

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Is graffiti protected by copyright and if so, what are some of the legal issues posed by it?

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Copyright in graffiti is an interesting and relatively unexplored area of law in Canada. It is still unclear what kinds of protections a graffiti artists’ work can be afforded, but by looking at the relevant sections of the Copyright Act and examples of caselaw on related topics, it is possible to make predictions about how some of the main issues surrounding the subject might be dealt with by Canadian law. Continue reading for an exploration into the issues relating to reproduction and moral rights that graffiti might pose for Canadian courts and what they might consider if such issues were to appear before them.

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Regulation, Generative AI, and legal considerations

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With generative AI’s ability to aid knowledge management, increase efficiency and accelerate development there must be balanced consideration of intellectual property (IP) protection and stakeholder interests.

Generative Artificial Intelligence (Gen AI) are algorithms that can be used to generate text and images that are difficult to distinguish from human generated text and images. It is technology that is fed data (trained) to ultimately recognize relationships and patterns in data. The more data the system is fed, the smarter it becomes. Once trained, it then applies that intelligence to information submitted by end users, to produce new content/products such as videos, photos, and book summaries. Generative AI’s use is growing in popularity because it quickly simplifies and completes tasks for the everyday user once given simple instructions.

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