Author: Gerald (Jay) Kerr-Wilson and Kiera Boyd

About Gerald (Jay) Kerr-Wilson and Kiera Boyd

Jay Kerr-Wilson is the co-leader of the Technology, Media and Telecommunications group and practices primarily in the areas of communications and public law, with a particular emphasis on copyright.

Copyrights

Architectural Designs: Are they Copyrightable?

Drawing tools lying over blueprint paper

The concept of a piece of art that is architectural in nature or an artistically designed building being copyrightable might seem fairly self-explanatory, but what about the design plans for that architectural creation? Do the drawings created by an architect designing how a building will look ever attract its own separate copyright protection? Can those designs be used by someone else trying to create a similar looking building? Continue reading for a look at the ways in which architectural designs and plans are protected under the Canadian Copyright Act and Canadian caselaw.

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Copyrights

Is graffiti protected by copyright and if so, what are some of the legal issues posed by it?

Colorful red yellow and blue graffiti on a brick wall.

Copyright in graffiti is an interesting and relatively unexplored area of law in Canada. It is still unclear what kinds of protections a graffiti artists’ work can be afforded, but by looking at the relevant sections of the Copyright Act and examples of caselaw on related topics, it is possible to make predictions about how some of the main issues surrounding the subject might be dealt with by Canadian law. Continue reading for an exploration into the issues relating to reproduction and moral rights that graffiti might pose for Canadian courts and what they might consider if such issues were to appear before them.

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Analysis, Canada

Regulation, Generative AI, and legal considerations

Asian woman watching hologram screens. Business and technology concept. Smart office. GUI (Graphical User Interface).

With generative AI’s ability to aid knowledge management, increase efficiency and accelerate development there must be balanced consideration of intellectual property (IP) protection and stakeholder interests.

Generative Artificial Intelligence (Gen AI) are algorithms that can be used to generate text and images that are difficult to distinguish from human generated text and images. It is technology that is fed data (trained) to ultimately recognize relationships and patterns in data. The more data the system is fed, the smarter it becomes. Once trained, it then applies that intelligence to information submitted by end users, to produce new content/products such as videos, photos, and book summaries. Generative AI’s use is growing in popularity because it quickly simplifies and completes tasks for the everyday user once given simple instructions.

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Analysis

“Making Available”– The Supreme Court Rules That There Is Only One Royalty Fee To Be Paid

picture of the the entrance of the Supreme Court of Canada, or Cour Supreme du Canada, in Ottawa. The Supreme Court of Canada is the highest court of Canada, the final court of appeals in the Canadian justice system. Its decisions are the ultimate expression and application of Canadian law and binding upon all lower courts of Canada

Fasken successfully represented several of the respondents before the Supreme Court of Canada in Society of Composers, Authors and Music Publishers of Canada v. Entertainment Software Association, 2022 SCC 30. In its recent decision, the Supreme Court conclusively rejected attempts by SOCAN to “double dip” on copyright royalties via the making available of copyrighted works and in the process helped clarify a number of important legal issues. Some of these issues are unique to copyright law, while others have broader relevance, including issues related to determining the standard of review post-Vavilov and how treaties should be used to interpret statutes.

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Analysis, Canada

Federal Court clarifies that proper process for bringing a claim under the notice-and-notice regime—somewhat

Internet Service Providers (ISPs) have seen an increase in litigation related to Canada’s notice-and-notice regime since it was added to the Copyright Act in 2012. Plaintiffs, generally the owners of copyright in films, have brought claims in Federal Court using various procedures. The Court recently released a decision offering guidance on the proper way to do so although there is still some uncertainty on this point.

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